Artist Reflections of Place
Donald Beekman Myer, FAIA
From his travels around the world, Don Myer painted doorways he encountered along his epic journey. These doorways captured his attention by speaking to him about history and design, perhaps even about transitions and the unknown behind doors. Wood or metal, plain or decorated, natural or colored, the variety of doorways he documented signifies the breadth of craftsmanship employed across cultures.
This exhibition features 35 mixed media artworks, mostly watercolor and color pencil, representing places such as Cuba, Colombia, Croatia, France, and Morocco. Don created each artwork in his studio by referencing photographs from his travels. Labels were designed to be simple, identifying only the locations where doorways were encountered. Any story, feeling, or impression drawn from an artwork shall be a product of the viewer’s imagination—per Don’s wishes.
With this exhibition, we celebrate Don’s memory and the artistic talents he shared with family, friends, and colleagues throughout the community. Thank you for visiting and supporting his legacy.
Don Myer came to Washington, DC in the early 1960s to begin a career in historic preservation for the National Park Service. After playing a key role in the restoration of Union Station and the Washington Monument, he went on to serve as Assistant Secretary of the Commission of Fine Arts from the late 60’s until 1997. There, Myer was involved in the design of significant federal landmarks, including the Hirshhorn Museum and Sculpture Garden, Vietnam Veterans Memorial, the National Air and Space Museum, and the Metro system. Later, he served as Clerk of Works at the Washington National Cathedral, and on the faculty of The Catholic University of America School of Architecture and Planning.
Following retirement, Myer dedicated his time and talents to drawing and painting. His artwork frequently focused on the richly detailed genre of botanicals, supported by an architect’s keen attention to texture, shadow, and other nuances of design. After exhibiting his artwork in a group show at the Corcoran Gallery of Art, he joined other artists to form a group called Studio 155. At the time, he explored diverse depictions of the natural world, eventually seeking to capture a “sense of place” in his compositions. Presenting both architectural representations and geographic snapshots, his series of doors serves to illustrate this atmospheric feeling, offering an evocative and introspective experience for the viewer.
Alongside other Studio 155 artists, Myer’s artwork has been exhibited at the Corcoran Gallery of Art, Adah Rose Gallery, Athenaeum, Cosmos Club, Delaware Art Museum, Studio Gallery, United States Botanic Garden, and VisArts in Rockville.
Originally organized by AIA|DC as an in-person exhibition at the District Architecture Center’s Suman Sorg Gallery with generous support from Graphisoft and BluEdge. Installation by Tim Anderson.
All works courtesy of Ellen Myer for exhibition. Special thanks to Ellen for making the exhibition possible.
The Chapter is also very grateful to the following individuals and firms who helped support this exhibition: David + Patty Haresign; Ralph Cunningham, FAIA; Mary Oehrlein, FAIA; Steven Spurlock, FAIA; Fox Architects; Hal Davis, FAIA; Thomas Luebke, FAIA; and James Voelzke, FAIA.
Adore a Door
To celebrate Don Myer’s legacy, we encourage our followers to join us for Adore a Door, a self-initiated creative expedition around Washington, DC. We ask: on your own time, dash to a doorway near you—one that is decorative, rustic, or otherwise special to you—and document it via photography, drawing, painting, or sketch. Then, we’ll share it on social media. Images from travel trips are welcome, too. Find details here. Some examples...
“We keep moving forward, opening new doors, and doing new things, because we’re curious and curiosity keeps leading us down new paths.”